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Aveline is a gorgeous font that is both classically elegant and inherently modern. Create unique watermarks, logos, beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Aveline for any graphics that require a sleek look with an elegant flair.
Aveline features a unique typeface stylistic set which when use to some of the Uppercase, lowercase characters and multilingual support as well.
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BR Omny is a rounded geometric sans serif, it is based on a softened geometric framework with a confident and friendly persona. The family contains 7 weights ranging from Thin to Black with corresponding italics. It supports an ‘Extended Latin’ character set that provides support for 200+ latin based languages.
BR Omny provides advanced typographic support with OpenType features such as alternates, case forms, fractions and slashed zeros. It comes with multiple figure sets and is ideal for print, web, branding, advertising, publishing, gaming and mobile applications.
For custom enquiries please contact: mail@brinktype.com
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| Download BR Omny Fonts Family From Brink |
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Ayalda is a classy and elegant handwritten font with beautiful swashes. Get inspired by its unique look, and turn any design idea into a true standout!
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| Download Ayalda Fonts Family From Nissa Nana |
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Summer Square is vintage all caps font with 2 styles clean & rough.
Summer Square is a strong font, this font is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, retro style design, Book/Cover Title and more.
This font features Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu) and includes 62 ligatures.
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| Download Summer Square Fonts Family From Attype Studio |
Fresh Orange is a type of font that presents a unique style for every design project such as cartoons, comics, poster designs, and so on.
Fresh Orange has two styles: regular and extrude, which will create a great layered look when combined.
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Almost There Script is a new and modern new script in handmade calligraphy style, with decorative characters and a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more.
Almost There Script is equipped with 500 ligatures. Alternative characters are divided into several OpenType features such as Swashes, Collection Styles, Alternative Styles, Contextual Alternatives. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has provided Unicode PUA (special code font) so all alternative characters can be easily accessed by craftsmen or designers.
Almost There Script:
Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Stylistics Standard Alternative Stylistics Manage 1-28 Contextual Character Variants.
If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows).
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| Download Almost There Script Fonts Family From Zane Studio |
Sunshine Bridge is a retro modern font family, featuring a retro brush script with an artistic modern bold sans serif. They complement each other perfectly. You can use the Sans as main and Script as additional, or vice versa. This family gives you a modern look with a vintage mood. So, you can use it both as in vintage-look projects - Beer bar or Brewery logo etc, or as Modern magazine headline or any modern print. It includes a lot of OpenType Features in Script with Swashes and Alternates to give you a little more hand-touch look.
The family includes:
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Tweensco is a thin font with a condensed style. It's playful and feminine but still modern. It contains more than 400 glyph, alternates, multilingual support and ton of ligatures. Tweensco is perfect for headlines, posters, advertisements, logos, covers, magazines, editorials, quotes and more.
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Zuume Soft is a high-impact, condensed sans serif, display font family with a soft touch. A sister to Zuume, this version features round corners for a little bit of a friendly appearance. Coming in multiple weights and italics, its range in thickness give a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch.
A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.
Also part of each font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available as well.
Zuume Soft has many features:
• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.
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Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace).
Trakya Rounded is a modern sans serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Trakya Rounded is softer and rounder than it's sibling Trakya Sans.
They're both ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design.
Trakya Rounded provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.
The designation “Trakya Rounded 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Rounded" comes in 5 weights and italics and has the company of "Trakya Rounded Alt" that also comes in 5 weights and italics for a total of 20 styles. The family contains a set of 630+ characters.
Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures are easily accessible in all graphic programs.
Trakya Rounded is the perfect font for web use.
Enjoy using it.
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| Download Trakya Rounded Fonts Family From Bülent Yüksel |
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Serif wide thin lines
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| Download Trooper Roman Black Fonts Family From Wooden Type Fonts |
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Emirose consists of 4 weights: Thin, Light, Regular and Bold, all equipped with many ligatures and alternative letters that look cute and classy. They work very well for your work such as logos, brands, packaging, posters, invitations, headlines, posters, and more.
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| Download Emirose Fonts Family From Ergibi Studio |
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A type designed in a grid, like on display panels
Type is not only printed. There were always and still are a number of forms of type versions which function completely differently. Even very early in the history of script there were attempts to combine a few single elements into the diverse forms of individual characters and also efforts to construct the forms of letters within a geometric grid system. The “instructions” of Albrecht Dürer are probably most well-known.
But although designers of past centuries assumed the ideal to basically be an artist’s handwritten script, the idea which developed in the course of mechanization was to “build” characters in a building block system only by stringing together one basic element — the so-called grid type was discovered, represented most commonly today by »pixel types.« But even before computers, there were display systems which presented types with the help of a mechanical grid display, like the display panels in public transportation (bus, train) or at airports and train stations.
In a streetcar, I met up with a modern variation of this display which reveals the name of each tram stop as it is approached. This system was based on a customary coarse square grid, but the individual squares were also divided again diagonally in four triangles.
In this way it is possible to display slants and to simulate round forms more accurately as with only squares. The displayed characters still aren’t comparable to a decent typeface — on the contrary, the lower case letters are surprisingly ugly — but they form a much more legible type than that of ordinary [quadrate] grid types.
DeDisplay from ingoFonts is this kind of type, constructed from tiny triangles which are in turn grouped in small squares. The stem widths are formed by two squares; the height of upper case characters is 10, the x-height 7 squares.
DeDisplay is available in three versions: DeDisplay 1 is the complex original with spaces between the triangles, DeDisplay 2 forgoes dividing the triangles and thus appears somewhat darker or “bold,” and DeDisplay 3 is to some extent the “black” and doesn’t even include spaces between the individual squares.
